Wednesday, January 15, 2025

Asherah: From "Our Lady of the Shards" Series

 

"Asherah V", ceramic mosaic, 2024 by Lauren Raine

ASHERAH:  THE ONCE AND FUTURE GODDESS

                                                         By Lauren Raine MFA

“The Divine Feminine aspect of God was deleted from the image of deity. The only place where the concept of the sacred marriage survived was in the mystical Jewish tradition of Kabbalah, known as the “Voice of the Dove.” The Divine Feminine was not only banished from Judaism, but also from Christianity which took its image of God from Judaism. Islam also had a sole male creator god. The end-result of this cosmology was that life on earth was split off from the divine world; nature was split off from spirit.”

 Anne Baring from A Crucial Time of Choice (2020) (1)

Since I was a child I've made images of women who were trees. I'm not sure where it came from, certainly I had not heard of the Tree of Life, or Goddesses associated with trees. I had never heard of Goddesses. But women with roots and leaves became a personal iconography for me. In early drawings friends somehow grew leaves. In later lithographs  there She was.   A 9-foot-long painting I called "Gaia" (1986) for my MFA program showed the Goddess as a Trinity before the barron Tree: I wanted them to confront the viewer with the loss, destruction and disrespect our civilization has wrought on the Tree of Life that sustains us. And there are many other works that show female figures rooted and, importantly for me,  intertwined within the Earth.  

I realize now it was Asherah, the Great Mother, I was seeking. Asherah who was banished from the Judeo-Christian Bible. Banished from what became the religious underpinning of Western civilization as the Patriarchs of Jerusalem created the first monotheistic  religion – which uniquely featured a solitary male deity with no female counterpart. 

Yet it is not easy to eliminate half the human race from sanctity, although the his-story of  Western religion demonstrates a long and continuing effort to do just that, sometimes by erasure or demonization, sometimes by mythic co-option.  It is interesting, for example, to note that the ubiquitous ancient “trinity” of a 3-part Goddess, such as the Greek  Persephone/Demeter/Hecate, a Trinity that represented the cycles of nature as personified within the ancient Great Mother. This Trinity re-occurs, probably as a result of Patriarchal re-assignment, as the masculine Hindu Brahma/Vishnu/Shiva Trinity (Creator/Sustainer/Destroyer) in Hinduism. Certainly, the European Pagan Trinity was absorbed into Christianity, masculinized as the Father, Son, and Holy Ghost. 

Climate change has brought, along with globalization and the possibilities of nuclear war, the great evolutionary Crisis of our time. And that, I believe, is why the Great Mother is arising from the depths of humanity's collective unconscious, from shards and archives of the deep past, from the violence and erasures of patriarchy. Her time has come. And the Tree of Asherah, with its inter-woven roots deep in the dark Earth, and its seasonal leaves  and sustaining fruit, is Her perfect metaphor. 


Anthology by Girl God Books becoming available in 2025

Asherah, the ancient Goddess of pre-monotheistic Judaism, has very early origins.  Certainly among the Canaanites and neighboring civilizations, and possibly going back as far as Samaria. Sacred Groves were planted for Her. She was called “the Wife of Yahweh,” the Feminine aspect of God. Ubiquitous  "Asherah poles" (ashirim) mentioned in the Old Testament may have been made of wood, possibly cut from  trees dedicated to Asherah. Asherah poles were apparently household icons meant to invoke prosperity and fertility. (2)

The reforms of King Josiah’s reign in Jerusalem, along with the later reforms of the Prophet Jeremiah, revised and centralized  Judaism to have only God, Yahweh. All other Gods and Goddesses were banned. Asherah was called “the great abomination.”  Thus women became diminished and disempowered, as they were also Biblically blamed for the now monotheistic  God’s wrath. In the Old Testament we read that   Asherah poles were banned,  dedicated groves cut down, and Yahweh now had no wife.

 With the early advent of Gnostic Christianity, Asherah, the feminine face of Deity,  returned in the form of Sophia (which means “Wisdom” in the Greek language). The great Basilica in Istanbul, for example,  was named Hagia Sophia (Holy Sophia – Holy Wisdom). The emblem for Sophia was a dove – a symbol that Christianity retained to this day when it created the Trilogy of Father, Son, and “Holy Ghost.”  Replacing the Divine Feminine (Sophia) with the ambiguous “Holy Ghost”  once again erased Sophia/Asherah from Patriarchal Christian theology. 

"Asherah III" by Lauren Raine 2009

In their 2019 book When God Had a Wife: The Fall and Rise of the Sacred Feminine in the Judeo-Christian Tradition  (3) Authors Lynn Picknett and Clive Prince provide a well-researched, convincing  argument for the catastrophic consequences of the suppression of the Goddess from the great Western religions of Christianity and Judaism, revealing how we have longed for the return of the Sacred Feminine for millennia. As happened before in Jerusalem, the evolving Christian Church rewrote his-story to eliminate the feminine side of deity. 

A whole lot of co-option and re-mything can go on as religions evolve. Especially, it seems,  if theologians are determined to get rid of the Feminine for millennia!  But the Goddess resides in the collective, often unconscious, heart of humanity, and will not ultimately be silenced. For myself,  I would  never have associated the Tree of leaf and root, a vision that has infused my artistic and spiritual vocabulary for more years than I remember,  with an unknown ancient Goddess named  Asherah had I not had a visionary experience years ago.  

I went to see a Reiki practitioner because of some health problems I was experiencing. As she worked with me I entered into a kind of trance, and with my eyes closed I vividly saw a white dove. But it was not a literal kind of bird - it was a sacred emblem such as  one might see in a church. I thought of the "Dove of Sophia" which I had vaguely heard of (Many years later I learned that Sophia  was another name for the earlier Asherah).  Associated with this image of a “Dove Icon” in that visionary moment was, I remembered, also a backdrop of branches and tree roots. 

After our session was over the healer told me she saw a Goddess form present during the healing. She said that she heard what sounded like “Ashara". I didn’t know what that meant at the time, but later I learned it was the name of the Hebrew Goddess. Asherah/Sophia. And I’ve been dedicating myself to Her ever since.

We are living, right now, in a crucial time indeed. The Paradigm that is trying to arise in this time of Evolutionary Crisis is, I believe, two-fold:  the collective “return of the Divine Feminine” to re-ensoul a fragmented humanity, and the urgent need to envision  a sustainable civilization that will have to be founded upon the inter-dependency and spiritual ecology of, well, everything.  

That’s our challenge now, to restore the Tree of Asherah. Roots below, Leaves touching the sky.


Lauren Raine MFA

(This article will be included in  a forthcoming Anthology ASHERAH:  Roots of the Mother Tree by Girl God Books.   Edited by Claire Dorey, Janet Rudolph, Pat Daly and Trista Hendren with a Preface by Miriam Robbins Dexter, Ph.D.  Cover art by Lauren Raine, Scheduled for 2025.)

 Reference: 

(1) Baring, Anne Ph.D. Excerpt from  “A Crucial Time of Choice “,  talk given for Humanity Rising August 11, 2020  www.annebaring.com

(2)  Wikipedia, “Asherah Poles/Asherim”  

*Deuteronomy 16:21 states that YHWH (rendered as "the Lord") hated Asherim rendered as poles: "Do not set up any [wooden] Asherah [pole] beside the altar you build to the Lord your God" or as living trees: "You shall not plant any tree as an Asherah beside the altar of the Lord your God which you shall make"………..King Josiah's reforms in the late 7th century BC included the destruction of many Asherah poles (2 Kings 23:14).  Exodus 34:13 states: "Break down their altars, smash their sacred stones and cut down their Asherim [Asherah poles]." 

https://en.wikipedia.org/wiki/Asherah_pole

(3) Picknett, Lynn and Prince, Clive,  When God Had a Wife: The Fall and Rise of the Sacred Feminine in the Judeo-Christian Tradition , Paperback – Illustrated, December 10, 2019, Bear and Company publishers

Wednesday, July 24, 2024

"The Masks of the Goddess" are going to the Women & Spirituality Conference

 I am deeply honored to be the Keynote Speaker at this years 

40th Annual Women & Spirituality Conference
October 4th, 5th & 6th 2024
St. Mary’s University Cascade Meadows Campus,
Rochester, MN

Over 36 workshops to choose from, vendors, exhibitors and more.  So many women’s voices sharing their wisdom, offering their healing, together in community since 1981.  Explore the beauty of the land, experience art in the Maker’s Space, find solace in the Chaplain’s Corner and so much more!

Join us for a special Ceremonial Evening
with Community Ritual Theatre, Music & the Masks of the Goddess 

Friday October 4th, 2024 at 7:00 pm
at the Chateau Theater in Rochester, MN


“What the audience saw when a dancer looked through the eyes of the mask was the Goddess Herself,  ancient and yet contemporary, looking across time, across the miles.”.......... Diane Darling, Director, Playwright
"Myth comes alive as it enters the cauldron of evolution,  drawing new life from the storytellers who shape it.”..........Elizabeth Fuller,   The Independent Eye Theater                                                                                                 
                                                             www.masksofthegoddess.com
             



Monday, February 13, 2023

A Shrine (and a new book) for Spider Woman


 And a new version of SPIDER WOMAN'S HANDS, available through Blurb.com.


"Tse Che Nake, Thought Woman, 
the Spider
is sitting in Her room now
thinking up a good story.
I'm telling you the story
She is thinking."

.......Pueblo Proverb

Saturday, December 3, 2022

A Shrine for the Lost: The Sixth Extinction​




Funded by the Puffin Foundation, my SHRINE FOR THE LOST:  THE  6TH EXTINCTION was installed November 1, 2022 for Dia de los Muertos.     It includes a Book, four 8 foot tall wall-hung Panels, and an accompanying Video made in collaboration with Tucson artist Kathy Keler. I am very grateful to Kathy for the video especially.


It will be shown at the 2023 Parliament of World Religions, and it is my hope that the installation will travel to other venues as an educational Memorial. 

                                              https://youtu.be/5GE5kxwhxFw                                             


Monday, January 24, 2022

New Masks

"Quan Yin"  


"Ceres"


                                                                 Lada, Ukrainian Goddess

Asaye,  Eithiopia

Butterfly Woman

Selkie

flower Deva

Spider Woman

Wednesday, December 1, 2021

Joanna Hearing Music - for Joanna Brouk

My friend the composer Joanna Brouk always said that she heard music before she wrote it down.  This painting is in honor of her.......I miss her very much.  She passed away in 2017.

Tuesday, January 12, 2021

"Our Lady of the Shards" - Mosaic Shrines (2018 - 2019)

                 

  The Series is  collectively called "Our Lady of the Shards" as they are meant to honor that which has been buried, lost or broken, and is now re-surfacing to the contemporary world to tell us the ancient stories that we need now.   Working in a pottery studio, I saw many beautiful broken pottery shards lying about, and I began to think of artists sometimes being "mythic archeologists", uncovering and resurrecting the lost and forgotten lives and wisdom of the past, piecing it together to find the shapes and reveal the mysteries.  Or it could be said that the Spirits of the past are rising from the broken shards, insistant on being heard and honored, because they are once again truly needed.

Shrine to the Ancient Midwives

"Our Lady of the Forgotten Midwives"  remembers the enduring love of Millenia of Ancestral Midwives, the women whose hands brought each generation into the world.   

The Memory Keeper II

"The Memory Keeper" was inspired by a song called "Water from Another Time", which speaks eloquently of the wisdom and gifts of the elderly, and of previous times, needed to nourish each new generation.    


Our Lady of the Desert Spring

Our Lady of the Desert Spring is a bas relief ceramic mosaic that is  a  personal Icon loosely inspired by traditional  Catholic Iconic imagery.  It is meant to be accompanied by a prayer or poem, in both English and Spanish, and is also designed to include a  mosaic "frame" or border as part of the presentation.  "Our Lady of the Desert Spring" also represents an invocation to the "Numina" or "spirit of place" of the desert. Water is the true life blood of the desert,  its most precious resource.  



Hecate




The Black Madonna

The Black Madonna reflects my personal sense that this widely archetypal image, a source of many pilgrimages to sacred places throughout Europe for thousands of years,  represents the Earth Mother, the dark rich soil that sustains us




The Bone Goddess




Old Masks




The Memory Keeper I



The Weaver



Shrine for the Forgotten Midwives



Our Lady of the Waters




Tuesday, April 2, 2019

Exhibit of the Masks of the Goddess - Closing the Project




In May I will be concluding the 20 year MASKS OF THE GODDESS PROJECT, which began as an Invocation to the Goddess at Reclaiming's 20th Annual Spiral Dance in San Francisco in 1999.  I have been so privileged to collaborate with Priestesses, Playwrights, Dancers, Ritualists, Community Organizers, Photographers, Artists, Photographers, Choreographers, Writers, Singers, and Psychologists in sharing the stories and  "Faces of the Goddess".  So many from around the country participated in the Project - please know that your spirit and contribution will be there, in every mask and photograph.   

The Opening will be May 5th, and I'll give a small slide presentation, and afterwards I'm delighted that there will several performances, including Evelie Delfino Sales Posch to sing her beautiful songs, and mask wearers Drissana and Vibra to invoke the Goddesses.  Perhaps we'll see you there!

I have also just revised and added a great deal of new material to my book 
"The Masks of the Goddess", which is available at  Blurb.com.
 You can turn pages in a "Preview" at this link:
 http://www.blurb.com/b/9380795-the-masks-of-the-goddess 

Thank you once again for sharing your creativity and love of the Goddess with so many, and especially, with me.  May the Masks  continue their work. 

Lauren 
www.masksofthegoddess.com


Thursday, September 14, 2017

Workshops at Circle Studio with Lauren Raine 2017-2018

  ONE-DAY WORKSHOPS! - Make your own Portrait in Clay
 ​​​

       
In this fun one day workshop you'll learn how to cast your face to make a beautiful Self-Portrait sculpture in special air-dry clay....which you'll be taking home with you.  We'll also share lunch and conversation.   $50.00 (includes materials)  
10:00  am to 4:00 pm  Every SECOND SATURDAY of each month beginning in November 2017.  Class is limited to 5 people.

Workshops on:    Nov. 11, Dec. 9,   Jan. 13,  Feb. 10,  March 10,  April 14

To enroll, please contact laurenraine9@gmail.com, or call (520) 609-4904. 
A $25.00 non-refundable deposit is required to hold your place. 

Location:  CIRCLE STUDIO in Central Tucson
(http://circlestudio.weebly.com/workshops--classes.html)

Instructor:  Lauren Raine MFA has been a mask artist for over 30 years and has taught at the Sedona Arts Center, Pima College, the Peters Valley Craft Center, Kripalu, and the Tucson Clay Co-op.  To learn more about her work:  www.laurenraine.com







Quan Yin Finished!




And.............a Greenman for the Garden too!



Sunday, March 26, 2017

Quan Yin




I've made a number of sculptures dedicated to Quan Yin *** and this is the most ambitious one in progress. Quan Yin, the manifestation of Divine Compassion throughout Chinese Buddhism, represents the Bodhissatva - the Great Being who "hears the cries of the world" and returns, again and again, to aid the suffering of the world.  She is often shown, like Tara of Tibet, with many arms, and has been called "thousand armed Quan Yin"....the arms being the many ways she can help and assist those in need.  

I don't know why I have felt the need to create so many Quan Yin images, exactly.  I have felt so much this past year the hardening of hearts, division, anger, and mean spiritedness in my country, and have become quite political with the rise the far right agenda and the election of Trump.  As above, so below - in the process I have seen a lot of anger and division coming out of me as well, not all of it manifesting in a good or wise way.  So making masks, making art about Quan Yin (and I am also making a painting about the Archangel Micheal), whether I realize it or not consciously, is an act of invocation.  For the world, but most especially for myself.  

As I love to tell my students, but don't always remember myself.........art making can be a great act of invocation, a great act of healing, an act of magic if you will.  When my model and I were working on the sculpture above, we both felt a kind of light in the room, a yellow, calm, serene light/sensation.  The Goddess was with us as we invoked Her through our creative process.  And it really doesn't matter if you even "believe" in the Goddess Quan Yin.   I'm not sure that "believing" is anywhere near as important as simply wanting help, wanting guidance, opening the heart.  I don't "believe" the Divine Ones care what we call them or what form we give them.  But making art can thus be an act for us of devotion and spiritual practice or transformation.  The art object, finished, becomes an icon, a talisman to remind us.  
I wanted to make a Quan Yin that, instead of the idealized and beautiful, but iconic, representations, looks like a real woman in the real world of today -  Bodhisattva walking among us, working among us, hearing and responding to the pain of the world, bringing healing and love.  And not a beautiful young woman either, idealized, but a woman in her middle years, reflecting the experience that comes with embodiment.  

***


Kuan Shih Yin - Avalokiteshvara Bodhisattva

The Bodhisattva of Great Compassion

The Sanskrit name "Avalokiteshvara" means "the lord who looks upon the world with compassion".  Translated into Chinese, the name is "Kuan Shih Yin"or Quan Yin.

Kuan: observe
Shih: the world / the region of sufferers
Yin: all the sounds of the world, in particular, the crying sounds of beings, verbal or mental, seeking help

Avalokiteshvara Bodhisattva is the embodiment of great compassion. He has vowed to free all sentient beings from suffering. Avalokiteshvara Bodhisattva is has great powers and can help all sentient beings. His skilful means are limitless and he can appear in any form in all the six realms of existence to relieve the suffering of the sentient beings who live there. He vowed to rescue those who call on him when they are in suffering, for example, when caught in a fire, shipwrecked or facing an attack.

In the Lotus Sutra, Shakyamuni Buddha said that if a suffering being hears the name of Avalokiteshvara Bodhisattva and earnestly calls out to the Bodhisattva, Avalokiteshvara will hear the call and relieve that being from his suffering.

According to the Huayen Sutra, Avalokiteshvara Bodhisattva transforms himself into forms that suit the nature of those to be helped. His manifestations or transformation bodies are countless.  e.g. if a boy or girl is about to gain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a boy or a girl to teach the child.
e.g. If a monk is about to attain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a monk.

In short, he can appear as a monk, a nun, or a normal person like you and me. The purpose of such transformations is to make people feel close to him and willing to listen to his words.

In China, Avalokiteshvara Bodhisattva is represented in female form and is known as Kuan Yin. Probably because of Kuan Yin's great compassion, a quality which is traditionally considered feminine, most of the Bodhisattva statues in China since the Tang Dynasty (A.D. 618 - 907) have appeared as female figures. In India, however, the Bodhisattva is generally represented as a male figure.

In her hands, Kuan Yin may hold a willow branch, a vase with water or occasionally, a lotus flower.  The willow branch is used to heal people's illnesses or bring fulfillment to their requests.  The water ( the dew of compassion) has the quality of removing suffering, purifying the defilement of our body, speech and mind, and lengthening life.

In Buddhist art, Avalokiteshvara Bodhisattva is sometimes shown with eleven heads, 1000 hands and eyes on the palms of each hand (Thousand-Armed Avalokiteshvara Bodhisattva). The thousand eyes allow the Bodhisattva to see the sufferings of sentient beings, and the thousand hands allow her to reach out to help them.

Sometimes, he is represented with one head and 4 arms. This is the Four-Armed Avalokiteshvara, worshipped by all Tibetans as "Chenrezig", the Holder of the White Lotus. It is in the male form which has two hands in the praying gesture while the other two hands hold his symbols, the Crystal Rosary and the Lotus Flower.

There is a sacred place for the worship of Kuan Yin in China - the Putuo Mountain. It is actually an island located near the city of Ningpo, in Zhejiang Province. There are many stories of Kuan Yin's miraculous appearances at Putuo Mountain.

Actually, anyone can be like Kuan Yin. You may say that you don't have a thousand eyes or a thousand arms or that you lack skillful means, but it is your compassion that can transform you into a Kuan Yin. With your eyes and hands, you can help others. With your compassion, you can bring peace and tranquility to this world.

The Mani Mantra (The Mantra of Universal Protection) : OM MANI PADME HUM

from:  Buddhanet


Monday, August 15, 2016

3 Day Mask Arts Intensive Workshops in Tucson in 2016 and 2017*

Picture
THE MASKS OF THE GODDESS 


 3 Day Mask Arts Intensive Workshop 
                        for women

November 11 - 13, 2016   and 
April  7 - 9,  2017  

$300.00.
Limited Housing**  is available  for $50.00 extra.  

Introduction and check in begins Friday evening,  and Workshop ends at Noon  with a potluck lunch on Sunday.  In this workshop we'll  draw on our mythic imaginations as we explore ways to invoke the Goddess within through the creation of durable theatrical masks. We will also discuss ways to use these  masks for storytelling, ritual, community performance and personal exploration.  You take home the means to continue the work, alone or with your community.  


 To learn more, please visit:  the Masks of the Goddess Project.

 Note: There is a $20 fee for supplies. Bring  a story about a Goddess archetype you wish to explore.   


 "The masks of the goddess workshop was a pivotal event in my life.....I have been feeling
 the Goddesses waking up ever since.  They  were there, definitely there."

Lorraine Hogan, Kripalu Participant 

To read more about making  masks:
 http://laurenraine.blogspot.com/2011/04/working-with-masks.html 

**As available.

Picture
MASK AND MYTH 

3 Day Mask Arts Intensive Workshop
for Men and Women

November 18-20, 2016  and
April 14 - 16, 2017

$300.00  
Limited  Housing**  is available  for $50.00 extra

Introduction and check in begins Friday evening,   and Workshop ends at Noon with a potluck lunch on Sunday.  Although masks can be experienced as art objects,  by their very nature they are active rather than passive.  They are  "vessels for our stories".   We'll draw on our “mythic imaginations” as we explore the creation  of  durable theatrical masks.  Is there a Persona  that awaits a face, a story, a voice?  Creating a mask is a way to open the conversation.   We'll learn:

·         To sculpt masks from our faces,  creating durable theatrical masks.
·         Explore personally significant stories of  mythic Archetypes.
·         Discuss approaches to working with masks  for  performance, community,  and   
           educational purposes.

Note: There is a $20 fee for supplies.   Bring  a story, and art materials that you might wish to include in a mask. 

 To read more about making masks:  http://laurenraine.blogspot.com/2011/04/working-with-masks.html

                    "Myth comes alive as it enters the cauldron of evolution,
  drawing energy  from the storytellers who shape it." 

Elizabeth Fuller,  The Independent Eye Theatre ​



**As available.​​

*A $100.00 deposit is required for workshops, which can be purchased via Visa, Mastercharge, Paypal, check or money order.